By Francis Bebey
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Additional info for African Music: A People's Art
Remark translated into English via Josephine Bennett. part A: 1 – Bagandu song (excellent xylophone and Sanza duet, see Sanza , web page eighty onwards, enjoying a most unique piece of tune whose topic is “The first spouse is now final in her husband’s heart”); 2 – Babinga tune (Pygmy track, on the end of a profitable elephant hunt); three – Linda song (accompanying a truly well known Linda dance); four – Broto tune (horn ensemble enjoying initiation track, see web page 68); five – instance of N’dokpa instrumental language (played on a four-keyed xylophone which may even be used for dance music—see following track); 6 – N’dokpa tune (the four-keyed xylophone that used to be heard at the earlier tune for sending a message, the following varieties a part of an orchestral ensemble taking part in dance music); 7 – Dakpa tune (work music in the course of the felling of a tree). part B: 1 – Isongo music (a younger Isongo girl making a song a lullaby within the night, clapping her fingers to supply a rhythmic accompaniment); 2 – Azande track (one xylophone, steel bells, and a single-headed drum play a full of life dance rhythm); three – Babinga tune (hunting tune via Babinga Pygmies, followed through a harp-zither and hand-clapping); four – Dakpa track (two males faucet sticks jointly to mimic the sound of rain, that allows you to allure termites out in their ant-hill); five and six – Bofi children’s songs (“In order to stand existence you want to be cautious” and “The wind has blown so demanding it has uprooted the manioc”); 7 – Bianda song (song with eleven-keyed Sanza accompaniment: “If you don’t wish me any further, why don’t you leave! …”). The tune of the Ba-Benzele Pygmies Bären Reiter Musicaphon, BM 30 L 2303, Unesco assortment (Anthology of African track) – 12” LP. Recordings, observation, and images via Simkha Aron in collaboration with Geneviève Taurelle. statement in German, English, and French. aspect A: 1 – Hindewhu whistle (return from a winning hunt; the Ba-Benzele use this whistle to announce the inside track to the ladies and previous those that stayed within the camp); 2 – music of rejoicing after strolling back from a hunt; three – Nbou (unaccompanied lament); four – Kongo Asseka (“The lady with Breasts Small and around like Wrists,” tune for dancing at a wake: men’s voices, women’s choir, rattles, drums, and hand-claps); five – track of rejoicing after a secure go back from looking; 6 – Lullaby (sung by way of a tender Benzele lady, helping her child on her shoulder); 7 – Lullaby (performed through women); eight – Ngoma , the porcupine (an invocatory tune sooner than a hunt). part B: 1 – track previous the departure of the hunters; 2 – tune for leisure (sung in the course of a dance within which either women and men take part; 3 drums, rattles, pairs of ankle jingles, and hand-claps accompany the song); three – 7 – a chain of news in mime; a translation of those tales can be present in the statement. CHAD tune of Kanem Bären Reiter Musicaphon, BM 30 L 2309, Unesco assortment – 12” LP. Recordings and remark by way of Monique Brandily. pictures via Max-Yves Brandily. statement in German, English, and French.