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“This choice of ten essays makes a persuasive case for a black Atlantic literary renaissance and its impression on modernist stories. The chapters stretch and problem present canonical configurations of modernism in methods: through contemplating the centrality of black artists, writers and intellectuals as key actors and middle presences within the improvement of a modernist avant-garde; and via interrogating ‘blackness’ as a cultured and political type at serious moments throughout the 20th century. this is often the 1st book-length ebook to discover the time period ‘Afromodernisms’ and the 1st learn to handle jointly the cognate fields of modernism and the black Atlantic.”

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Partie 3’, los angeles Relève, 1:3 (1932), pp. 8–14. 18. Jean Price-Mars, ‘Le Professeur Melville J. Herskovits et son œuvre’, l. a. Relève, 1:7 (1933), pp. 11–15. los angeles Relève, based in 1932 through Jacques Carméleau Antoine, is expounded to were heavily aligned with the politics of the Haitian President Sténio Vincent. 19. Melville J. Herskovits, existence in a Haitian Valley (Garden urban, long island: Doubleday Anchor Books, [1937] 1971), p. 325. 20. Price-Mars reviewed the paintings in l. a. Relève (1937). 21. Gérarde Magloire and Kevin A. Yelvington, ‘Haiti and the Anthropological Imagination’, Gradhiva, 1 (2005), p. 143. SWEENEY 9780748646401 PRINT. indd 122 15/01/2013 13:52 Hurston and Herskovits on/in Haiti 123 22. Ibid. pp. 143–4. 23. Hurston, dirt Tracks on a highway, p. 171. 24. Robert Hemenway, Zora Neale Hurston: A Literary Biography (Urbana: collage of Illinois Press, 1977), p. 219. 25. Hurston, dirt Tracks on a street, p. 191. 26. an extended improvement on Moses testifies to the concurrent composition of either works. evaluate inform My Horse, pp. 116–18 and the preface to Zora Neale Hurston, Moses, guy of the Mountain (1939), in Zora Neale Hurston, Zora Neale Hurston: Novels and tales (New York: The Library of the USA, 1995), pp. 337–593, p. 337. 27. Hemenway, Zora Neale Hurston, 1977, p. 163. 28. See Carla Kaplan (ed. ), Zora Neale Hurston: A lifestyles in Letters (New York: Doubleday, 2002), p. 248, n. four. 29. Barbara Johnson, ‘Metaphor, Metonymy and Voice of their Eyes have been looking at God’, in Henry Louis Gates, Jr (ed. ), Black Literature and Literary thought (New York: Methuen, 1984), pp. 205–20. 30. Hurston, inform My Horse, p. 221. 31. Henry Louis Gates, Jr, The Signifying Monkey: A idea of AfricanAmerican Literary feedback (New York: Oxford collage Press, 1988). 32. This flip is exemplified through Claude Lévi-Strauss’s Tristes tropiques (Paris: Plon, 1955). 33. Hurston, inform My Horse, p. 148. 34. Dany Laferrière’s essay ‘Jean Price-Mars: un intellectuel en otage’, in Ainsi parla l’Oncle (pp. 263–73), extra makes transparent that Price-Mars didn't formally distance himself from Duvalier on the finish of his existence. 35. Hortense Spillers, ‘A story of 3 Zoras: Barbara Johnson and Black ladies Writers’, Diacritics, 34:1 (2004), pp. 94–7. 36. Kaplan, A lifestyles in Letters, p. 404. 37. Ibid. p. 386. 38. Ibid. p. 390; unique emphasis. 39. Ibid. p. 404. forty. Ibid. p. 390. forty-one. Hurston, inform My Horse, p. fifty eight. forty two. Kevin Meehan, ‘Decolonizing Ethnography: Zora Neale Hurston and the Caribbean’, in Lizabeth Paravisini-Gebert and Ivette Romero-Cesareo (eds), ladies at Sea: commute Writing and the Margins of Caribbean Discourse (New York: Palgrave, 2001), pp. 244–79, p. 278. forty three. Hurston, inform My Horse, pp. 204, 209. forty four. Donna Jean Murch, dwelling for town: Migration, schooling, and the increase of the Black Panther social gathering in Oakland, California (Chapel Hill: collage of North Carolina Press, 2010). forty five. Richard fee and Sally expense, the foundation of Roots: Or, How AfroAmerican Anthropology obtained Its begin (Chicago: Prickly Paradigm Press, 2003). forty six. Herskovits, existence in a Haitian Valley, p. 324. forty seven. Ibid. pp. 324–30.

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