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By Rossana Bossaglia, Rossella Siligato, Filiberto Menna, Luciano Caramel, Marisa Vescovo

Summary paintings makes use of a visible language of shape, colour and line to create a composition that may exist with a level of independence from visible references on the planet. Western paintings were, from the Renaissance as much as the center of the nineteenth century, underpinned through the common sense of viewpoint and an try and reproduce an phantasm of obvious truth. the humanities of cultures except the eu had turn into available and confirmed alternative routes of describing visible adventure to the artist. via the top of the nineteenth century many artists felt a necessity to create a brand new type of paintings which might surround the elemental adjustments occurring in know-how, technology and philosophy. The assets from which person artists drew their theoretical arguments have been different, and mirrored the social and highbrow preoccupations in all components of Western tradition at the moment.

Sommario:

Le radici simboliste
Le avanguardie storiche
L'astrazione analitica
Dopo Mondrian
Dopo il 1945

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