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This e-book develops the thesis that the transition from premodernism to postmodernism in paintings of the electronic age represents a paradigm shift from the Hellenistic to the Hebraic roots of Western tradition. Semiotic and morphological research of artwork and visible tradition show the modern confluence among the deep constitution of Hebraic recognition and new instructions in artwork that come up alongside the interface among clinical inquiry, electronic applied sciences, and multicultural expressions. Complementing those analytic methodologies, replacement methodologies of kabbalah and halakhah supply postmodern equipment for extending into electronic age artwork types. Exemplary works of art are defined within the textual content and may be illustrated with pictures.

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Kolatch, nice Jewish Quotations. (Middle Village, manhattan: Jonathan David, 1996), 472. 7. A. Efland, okay. Freeman, and P Stuhr, Postmodern paintings schooling (Reston, VA: nationwide paintings schooling organization, 1966). eight. Bruno Zevi, “Hebraism and the concept that of space-time in art,” one hundred sixty five. nine. Francesco Dal Co and Kurt Foster, Frank O. Gehry:The CompleteWorks (New York: Monacelli Press, 1998), 29. 10. Ibid. , 30. eleven. Ilya Prigogione and Isabelle Stengers, Order Out of Chaos: Man’s discussion with Nature (New York: Bantam Books, 1984). 12. Peter Weibel and Timothy Druckery, editors, net_condition: artwork and worldwide Media (Cambridge, Mass. : MIT Press and Karlsruhe, Germany: ZKM heart for paintings and Media, 1999), 19. thirteen. Thomas L. Freidman, The Lexus and the Olive Tree (New York, Farrar Straus Giroux, 2000), forty-one. 14. Ibid. , 31, forty-one. 15. James Clifford, Routes: go back and forth and Translation within the overdue 20th Century (Cambridge, MA: Harvard college Press, 1997), 247-8, and Nicholas Mirzoeff, “Multiple Viewpoints: Diaspora and visible Culture,” in Nicholas Mirzoeff (ed. ) TheVisual tradition Reader (London and long island: Routledge, 2002), 206-8. sixteen. Wassily Kandinsky, in regards to the religious in artwork, trans. M. T. H. Sadler (New York: Dover, 1977), 1, four. 17. Menachem M. Schneerson, Torah reviews, tailored by way of Jonathan Sacks (London: Lubavitch beginning, 1986), 320. 18. Joseph B. Soloveitchik, Halakhic guy, trans. Lawrence Kaplan (Philadelphia: Jewish ebook Society of the US, 1983) ninety nine. 19. E. L. Doctorow, urban of God (New York: Plume Book/Penguin Putnam, 2001), 254. 20. Arthur David Ritchie, reports within the heritage and strategies of technological know-how (Ediinburgh: The collage Press, 1958). 21. Mel Alexenberg, “On the production of LightsOROT: religious Dimensions of the digital Age,” in LightsOROT, ed. Mel Alexenberg and Otto Piene (Cambridge, MA: MIT middle for complicated visible reports, and ny: Yeshiva college Museum, 1988), fifty five. 22. Tsion Avital, ArtVersus Noart:Art Out of brain (Cambridge, united kingdom: Cambridge collage Press, 2003), 403. 23. Eric Mark Kramer, “Gebser and Culture,” in awareness and tradition, ed. E. M. Kramer (Westport, Connecticut: Greenwood Press, 1992). 24. Adin Steinsaltz, “The Imagery thought in Jewish Thought,” The Strife of the Spirit (Northvale, NJ: Jason Aronson, 1988), 63-70. 25. David Gelernter, “Judaism past Words,” statement, could 2002, 32. 26. See Marshall McLuhan, Guttenberg Galaxy:The Making of Typographic guy (New York: New American Library, 1969) and knowing Media (Cambridge, MA: MIT Press, 1994). 27. Adin Steinsaltz, The Talmud:The Steinsaltz version, Reference advisor (New York: Random condominium, 1989). 28. For precis of this panel dialogue, see: Ray Gallon,“Ideas of Planetary Creativity:The collage paintings organization Tackles Networking,” Netweaver. http://cgi. gjhost. com/~cgi/mt/netweaverarchive/ideas_of_planetary_creativity_1290. html 29. Jonathan Rosen, The Talmud and the web: A trip among Worlds (New York: Farrar, Straus and Giroux, 2000), 7, eight, eleven. 30. Eliezer Segal, “A web page for the Babylonian Talmud,” www.

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