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Victorian Literature is a complete and completely annotated anthology with a versatile layout that enables academics and scholars to pursue conventional or leading edge strains of inquiry – from the canon to its extensions and its contexts.  

• Represents the period’s significant writers of prose, poetry, drama, and extra, together with Tennyson, Arnold, the Brownings, Carlyle, Ruskin, the Rossettis, Wilde, Eliot, and the Brontës
• Promotes an ideologically and culturally assorted view of Victorian society with the inclusion of ladies, working-class, colonial, and homosexual and lesbian writers
• contains fresh scholarship with five contextual sections and cutting edge sub-sections on subject matters like environmentalism and animal rights; mass literacy and mass media; intercourse and sexuality;  melodrama and comedy; the Irish query; ruling India and the Indian Mutiny and innovations in print tradition
• Emphasizes the interdisciplinary nature of the sphere with a spotlight on social, cultural, inventive, and old components
• features a absolutely annotated better half site for academics and scholars providing multiplied context sections, extra readings from key writers, appendices, and an in depth bibliography

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Plate 2 “Scientific growth” in Her Majesty’s excellent Jubilee 1897: The checklist variety of a checklist Reign. Plate eleven. [Diamond Jubilee certain variety of the Illustrated London information, issued on Jubilee Day, 21 June 1897; with a textual content by way of Sir Walter Besant]. colored Lithograph. forty. five × 30. 7 cm. Plate three Sir Luke Fildes (1844–1927), candidates for Admission to an informal Ward (1874). Oil on canvas. 137. 1 × 243. 7 cm. Plate four Sir Edwin Landseer (1802–73), Windsor fort nowa days (1841–43). Oil on canvas. 113. four × one hundred forty four. three cm. Plate five Ford Madox Brown (1821–93), paintings (1852–65). Oil on canvas. 137 × 197. five cm. Plate 6 Alfred Morrow (1863–1927), poster for the recent lady through Sydney Grundy on the Comedy Theatre, London (1894). color Lithograph published via David Allen & Sons. seventy two. four × 50. eight cm. Plate 7 Richard Redgrave (1804–88), The Governess (1844). Oil on canvas. seventy one. 1 × ninety one. five cm. Plate eight Robert Braithwaite Martineau (1826–69), Kit’s Writing Lesson (1852). Oil on canvas. fifty two. 1 × 70. five cm. Plate nine Alfred Concanen (1835–86), glossy ads: A Railway Station in 1874 (1874). Frontispiece to Henry Sampson, A background of ads from the Earliest instances (1874). Chromo-lithograph. 15. five × 31 cm. Plate 10 William Holman Hunt (1827–1910), The Awakening moral sense (1853–54). Oil on canvas. seventy six. × fifty five. nine cm. Plate eleven William Holman Hunt (1827–1910), the sunshine of the realm (1851–53). Oil on canvas. a hundred twenty five. five × fifty nine. eight cm. Plate 12 John Everett Millais (1829–96), Christ in the home of His mom and dad (1850). Oil on canvas. 86. four × 139. 7 cm. Plate thirteen Dante Gabriel Rossetti (1828–82), The Girlhood of Mary Virgin (1849). Oil on canvas. eighty three. 2 × sixty five. four cm. Plate 14 Dante Gabriel Rossetti (1828–82), The Blessed Damozel (1871–78). Oil on canvas. 136. eight × ninety six. five cm; Predella (lower panel) 35. 2 × ninety six. 2 cm. Plate 15 Dante Gabriel Rossetti (1828–82), stumbled on (1854–81). Oil on canvas. seventy six. 2 × 88. nine cm. Unfinished. Plate sixteen William Morris (1834–96), l. a. Belle Iseult (1858). Oil on canvas. seventy one. eight × fifty one. 2 cm. Plate 17 William Simpson (1823–99), one of many Wards of the clinic at Scutari in George Brackenbury, The crusade within the Crimea: An historic cartoon Illustrated through 40 Plates, moment sequence; From drawings Taken prompt through William Simpson (1856). Plate 34. colored lithograph by way of E. Walker after the watercolour through Simpson. seventy three × 38. eight cm. Plate 18 Axel Herman Haig (1835–1921), the good Indian Peninsula Railway Terminus: Victoria Station, Bombay (1878). Watercolour on paper. ninety one. four × 157. five cm. Plate 19 J. M. W. Turner (1775–1851), Slavers Throwing Overboard the lifeless and death – hurricane approaching (1840). Oil on canvas. ninety one × 122 cm. Plate 20 James Abbott McNeill Whistler (1834–1903), Symphony in White No. 2: The Little White woman (1864). Oil on canvas. seventy six. zero × fifty one. zero cm. advisor conceal desk of Contents commence examining Pages ii iii iv v xlii xliii xlv xlvi xlvii xlviii xlix l li lii 1 2 three four five 6 7 eight nine 10 eleven 12 thirteen 14 15 sixteen 17 19 21 22 23 24 25 26 27 29 28 30 31 32 33 34 35 36 37 38 39 forty forty-one forty two forty three forty four forty five forty six forty seven forty eight forty nine 50 fifty one fifty two fifty three fifty four fifty five fifty six fifty seven fifty eight fifty nine 60 sixty one sixty two sixty three sixty four sixty five sixty six sixty seven sixty eight sixty nine 70 seventy one seventy two seventy three seventy four seventy five seventy six seventy seven seventy eight seventy nine eighty eighty one eighty two eighty three eighty four eighty five 86 87 88 89 ninety ninety one ninety two ninety three ninety four ninety five ninety six ninety seven ninety eight ninety nine a hundred a hundred and one 102 103 104 one hundred and five 106 107 108 109 a hundred and ten 111 112 113 114 one hundred fifteen 116 117 118 119 one hundred twenty 121 122 123 124 one hundred twenty five 126 127 128 129 a hundred thirty 131 132 133 134 one hundred thirty five 136 137 138 139 a hundred and forty 141 142 143 a hundred and forty four one hundred forty five 146 147 148 149 one hundred fifty 151 152 153 154 one hundred fifty five 156 157 158 159 one hundred sixty 161 162 163 164 a hundred sixty five 166 167 168 169 a hundred and seventy 171 172 173 174 one hundred seventy five 176 177 178 179 a hundred and eighty 181 183 184 185 186 187 188 189 a hundred ninety 191 192 193 194 195 196 197 198 199 2 hundred 201 202 203 204 205 206 207 208 209 210 211 212 212 213 214 215 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 293 294 295 296 297 298 299 three hundred 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 four hundred 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 six hundred 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 seven hundred 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 Wiley Blackwell Anthologies Editorial Advisers Rosemary Ashton, collage of London; Gillian Beer, collage of Cambridge; Gordon Campbell, college of Leicester; Terry fortress, Stanford college; Margaret Ann Doody, Vanderbilt collage; Richard grey, collage of Essex; Joseph Harris, Harvard college; Karen L.

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